Old Homes Going Green: Worth the Trouble?

18 07 2011

I found this article on a blog called “Historic Home Blog”. I thought it was interesting and wanted to share it. Click Here 

Whether it’s a cozy urban bungalow or a rambling Georgian mansion, renovating old houses is one of the best things homeowners can do for the environment. Not only are they preserving the cultural heritage and craftsmanship of a bygone era, they’re eliminating the environmental impact of constructing a new house. As preservation architect Carl Elefante of Quinn Evans Architects in Washington, D.C., puts it, “The greenest building is the one you don’t build.”But sustainable historic preservation can be tricky, as anyone knows who has tried insulating a drafty Victorian without destroying original plaster walls or leaded windows. Renovating an old house usually entails some sacrifice of the original structure to create a healthy, energy-efficient environment — but not as much as you might think.RELEARNING OLD LESSONS

Much of what we think of as modern green design was taken for granted a century ago, when most homes were built with local and recycled materials, reflective roofs, permeable walkways, operable windows, proximity to public transportation and natural-energy heating sources. “Greenbuilding is nothing new. We’re just relearning old lessons,” says Walter Sedovic, a New York architect who specializes in both historic preservation and sustainable design, and is certified by the U.S. Green Building Council’s LEED (Leadership in Energy and Environmental Design) program.

Alas, what works for building new green homes doesn’t always work for renovating historic ones. Preservationists complain that sustainable design advocates often promote new building at the expense of preservation and adaptive reuse. Even the term “sustainable building” seems to refer to new construction. “In most of the English-speaking world, historic preservation is called ‘heritage conservation,’ so there’s a direct parallel with resource and environmental conservation,” points out Mike Jackson, chief architect of the Illinois Historic Preservation Agency.

Many traditional materials and assemblies are not acknowledged by current greenbuilding standards. “Timber, for example, is considered inconsistent and prone to insect damage by today’s standards, but it’s actually far more resilient alone than with steel added [as braces and connectors], which makes it rigid,” Sedovic explains. “Buildings need to move with the seasons.”

Likewise, lime mortar and old bricks are softer, less consistent and more malleable than modern cement and bricks, qualities that have allowed old buildings to survive, Sedovic says, even through hurricanes. “There is a fallacy that stronger is better,” he says, “but with historic buildings, the ‘weakness’ of traditional materials is better suited to last for centuries.”

Going for the green in a historic home is, in many ways, the antithesis of achieving the solar-paneled modern house. Green preservation is all about invisible sustainability. “People want to say, ‘Aha! That’s the sustainable house, right there!’” says Sedovic. “But when it comes to a green historic home, what you will see is not something readily identifiable, just a traditional building doing what it was originally designed to do.”

HERITAGE ZONES

When undertaking a restoration project, it helps to divide the home into three levels of historic value, or heritage, according to Jackson. “Most important in terms of preservation is the front, the part visible to the world, and historical features just inside the front door like the fireplace, pocket doors and ceiling medallions,” he says. Original windows and exterior surfaces in this zone should be preserved if at all possible.

The sides and back of a house are considered a secondary zone, where materials like siding and windows are replaceable if necessary. The third zone is the part of the house that is invisible to the outside world, such as basements and attics, where alterations don’t affect the home’s historic appearance.

As long as it works aesthetically with the rest of the house, a kitchen can usually be updated without destroying heritage. “If you’re looking at a house built in 1900 with a kitchen from the 1970s, that history was already altered,” says Jackson. “People tend to remodel kitchens every 15 years, and the cycle is getting shorter. What you do with the kitchen is a modern question, not an authenticity question.”

Trying to make a home energy efficient is where preservation and green design objectives typically clash. But lighting and heating upgrades often can be done with minimal damage to historic features if major alterations take place in attics and basements, the least visible zone. Also, if there is sufficient space between lathe and frame, you can pump foam or cellulose insulation into the chambers behind plaster walls.

“With historic homes, the biggest issue is with windows and walls,” says Stephen Farneth, a principal at the Architectural Resources Group in San Francisco. “How do you insulate the wall assembly if the interior finishes are really outstanding? Sometimes we don’t. We find other ways of conserving energy.”

Insulating in that third zone, especially the attic and basement, should be the first step of any green restoration. Pay particular attention to the sill plate, the point where the frame meets the foundation, a notoriously leaky point in old houses. Use caulk and expanding foam where possible.

An energy audit by a utility company or energy contractor can help pinpoint trouble spots using infrared photography and/or a blower door test, in which a powerful fan device is set up in an exterior doorway to create a strong draft inside the house, making it easy to identify air leaks in the building envelope. “Owners of historic homes can cut 25 to 35 percent off their heating bills by doing an energy audit, then insulating attic and basement,” says Jim Cavallo, an energy auditor and associate editor of Home Energy magazine. Cavallo notes that he charges between $350 and $500 for an energy audit, depending on house size.

MYTHS ABOUT WINDOWS

Leaded and stained glass windows are integral to the character of an old house. Unfortunately, they are frequently as drafty as they are charming. Replacing them with vinyl or aluminum windows can drastically change the appearance of a historic house, but many people assume this is the only solution. Everyone knows double-glazed panes beat leaky, century-old singles, right?

Actually, the draft has only partly to do with glass. “At least half the problem is in the way the window meets the sash and wall structure,” says Sedovic. “Often, manufacturers’ claims of efficiency are actually a measure of the glass, not the window unit. As a result, poor choices are made relative to the expense and aggravation of doing window replacements.”

Preservationists sometimes suggest installing storm windows on the interior in order to maintain the outer appearance of original windows facing the street. However, replacement windows have pushed storm windows out of the marketplace, so you might have to look beyond your local home improvement store to find good ones.

Wooden storm windows such as the storm-and-screen combination sold by Marvin Windows and Doors are effective and authentic-looking. Less expensive options include weather-stripping and insulating wood frames with spray insulation, and reglazing panes. In general, restored wood windows look better, last longer and add more to the resale value of a historic home than vinyl or aluminum replacements.

Roofs on old houses can often be worse energy eaters than windows. “On a lot of old houses, the walls and windows are proportionally overwhelmed by the size, character and performance of the roof,” says Elefante. “In that case, don’t tear the windows out. Address the condition of the roof.”

Even a small roof can have a big impact. An experiment on a couple blocks of Philadelphia row houses a few years ago found that black tar on the flat roofs was absorbing sun and heating up the upper floors. Replacing the tar with a reflective silver coating not only reduced temperatures inside the houses but in the surrounding neighborhood as well.

A SCIENTIFIC APPROACH

Along with their aesthetic value, original materials also contain significant “embodied energy,” an environmental benefit destroyed by modern replacements. “You need to look at the fundamental quality of the materials — whether plaster walls, slate roofs, copper gutters or wood windows — and understand they have lasted a long time and will continue to last if treated reasonably well,” Sedovic says. “If a window has to be replaced in three to 10 years, how does that compare to something that’s been in place for 50 to 100? It’s important to look at the cost long-term.”

Unfortunately, there is not a lot of hard evidence to help owners of historic homes, who are contemplating “improvements” such as replacement windows, make the right decisions. “It’s hard to make a comparative discussion between the benefits of a historic casement vs. replacing it,” Sedovic admits, “because there is almost no data available.”

That may be about to change. Interest in sustainable building has led to experiments in green historic home renovation around the country. In Chicago, for example, the Historic Chicago Bungalow Association (HCBA) gathered a team of preservation and greenbuilding experts and began renovating abandoned 1920s brick homes five years ago, with the idea of sharing the results with local homeowners. Where possible, original exteriors, windows and walls are preserved and paired with various modern and efficient energy systems.

This partial insulation ended up being more cost-effective than the $10,000 geothermal system installed in a bungalow down the street.

Annette Conti, executive director of the HCBA, says she expects better results with a geothermal system the HCBA will install in a larger historic home this year. “The larger the house, the better geothermal works,” she notes. “Every project will be slightly different because every home is different and its energy use is different.”

Conti, whose background is in historic preservation, plans to focus on the issue of windows this year. “It alters an old house so much to lose the interesting old window styles,” she says. “The best compromise we’ve come up with is to save the windows on the front of the house and use [replacement] vinyl ones on the sides. Now we get to test it over the next 20 years and compare the performance of historic to vinyl windows.”

Likewise, the Green Building Program of the Office of Sustainable Development in Portland, Ore., is helping local owners of historic homes renovate responsibly. Since winters are relatively mild in Portland, insulating old houses is less of an issue than in Chicago.

Many preservationists say regional initiatives like these may be the key to preserving old homes in a sustainable way. After all, climates and conservation issues differ dramatically from one region to the next.

“What’s important in New England is very different from what’s important in Tucson, where water conservation is a big issue,” says Jackson.

One point is certain: American homes are getting older and we have to find ways to make them work effectively.

“Many people are intoxicated with the new,” says Elefante. “But step outside and look around. Everything out there has already been built. We can’t just find solutions in the cool stuff built last year. We have to find solutions to the stuff that’s already there. Tearing it all down and starting over — that’s just not a good solution.”





“Green”ing up Old Homes

29 06 2011





Old Home Goes Geo Thermal

29 06 2011

LANCASTER COUNTY, PA. — Maintaining the historical aesthetics of an old stone home while reaping the benefits of the newest geothermal technology can be a challenge. Especially if no central HVAC system preceded the arrival of new systems.

Fortunately for the Proud family that’s the type of work Pennsylvania-based Vertex Mechanical specializes in.

The Prouds purchased the property and the old stone homestead in 2001. Built in 1851, their 4,700-sq.ft., seven bedroom home required a lot of TLC before it became the historical showcase it is today. When they decided to restore the home, the Prouds wanted to maintain its old-world charm, and Vertex Mechanical rose to the challenge.

The task would require installing mechanical systems in a house that had no previous ductwork, all without ruining the historical feel and appearance of the home. Great diligence was required to hide ducts, and they had to deal with a fat fieldstone foundation and walls, in some places 3-ft. thick.

“The old home had its own bag of tricks for us to deal with, complicating the mission at every turn, but we eventually found a solution to all of the challenges,” said Vincent Youndt, president of Vertex Mechanical.
“I was very impressed with Vince’s eagerness to keep the integrity of our historic home intact,” said Susan Proud.

Before deciding on what system to install and what contractor to go with, Susan Proud spent months researching new mechanical system possibilities for the home. Since Susan and her husband, Spencer own Abacus Sports Installations, a firm that installs green and U.S. Green Building Council LEED accredited recycled rubber floors, they are both familiar with sustainable products and technology, and they are passionate about the environment too.

“I’ve always had a desire to do what’s right for the environment,” said Susan.

And so, she spent time researching mechanical systems on the web, spoke with several manufacturers and mechanical contracting firms, and visited regional home shows to learn about the variety of systems available. Her search led her to explore the possibility of geothermal heating and cooling. She knew that the installation she was looking for would be an important investment.

Susan was adamant that the equipment, and the workmanship, be the best she could buy. After all, their new (old) home is one they plan to raise their family in (Susan and Spencer have four boys). She even asked several local well drillers who they thought was best qualified to do geothermal installations. More than any other company, Vertex was recommended.

“We specialize in mechanical systems for historical homes and buildings,” explained Youndt. “We practice what we preach [the firm’s shop is an old, brick, five-story tobacco warehouse, renovated and outfitted with a ClimateMaster geothermal system]. Geothermal systems are so flexible. You can do almost anything with the variety of systems manufacturers offer today: forced air, hydronics, radiant heat, dehumidification, integration with solar and so much more.”

One ‘proud’ system

The Proud’s home has two ClimateMaster Tranquility geothermal water-to-air systems. A three-ton TTVO38 packaged system located in the basement takes care of the first floor while a three-ton TTS038 split system handles the upstairs. The gables are vented with a fan to evacuate warm air in the summer.

“We especially like using split systems,” said Youndt. “These enable us to place a condensing unit in the basement where it should be, and from there run refrigerant lines to an attic air handler which, as it turned out, worked perfectly at the Proud’s home.”

Both systems share a six-ton (total of 600 lineal feet) bore hole. What sets this apart from most geothermal applications is the way the systems are used.

According to Youndt, the Proud’s geo systems are not typically run simultaneously at full capacity. In the winter, the downstairs packaged system runs primarily in first stage cycling into second stage as temps go down. Using the entire six-ton capacity of the bore hole for the three-ton unit raises its maximum performance.

In the summer, the roles are reversed. The upstairs split-system runs full time in first stage, cycling into second stage as needed, utilizing the first floor mostly in first stage. In both cases, the opposing system is not running very hard, thus increasing entire system efficiency.

To run ducts, all floorboards were removed and the flexible duct was run against the floor joists. Blown insulation was used to fill the joist bays, and the flooring was laid back down.

“We use high quality flex duct,” said Youndt. “We can’t afford to use a duct that’s going to give out in 10 years.”

The walls remain stone on both sides, which was a key consideration when calculating the unusually high heat load of the old home. Compared to a modern stick built house, Proud’s home is shedding as much thermal energy as a building twice its size.

Going green

In the few years prior to the retrofit, the Prouds were paying between $8,000 and $10,000 a year for all electric and fuel oil. The number dropped to $4,400 for the first year after the system was installed.

“It’s sure nice to have central air conditioning as well as being environmentally friendly and saving money,” said Susan. “We also have family overseas, and when they come to visit, they stay for a long time. We didn’t like the idea of running out of hot water.”

Domestic hot water is provided by a desuperheater and two 50-gal. Bradford White water heaters.

“The first water heater in line acts as the buffer tank for the geo, with no electrical power to it,” explained Youndt. “The second tank maintains the top end of the water heating temp, and is also there for shoulder season back-up heat when geo systems aren’t running steadily.”

“It’s been my dream to have a self-sustaining, off-the-grid house, some day complete with a power-generating wind turbine and photovoltaic panels, too,” said Susan. “The geothermal system is the first step in our plan for making renewable energy a bigger reality here. I guess that means we’re going green, all the way.”

 





Living Green….

27 06 2011

“I see Green Things” But seriously I do. Everywhere I go I see new green products. I don’t know if this is true because my brain is wrapped around Green 24hrs a day or if the world is really changing for the better. I like to think its both but who knows. It’s like when you decide that you wanna buy a new car and all of the sudden you see that model and make everywhere you go. Are there more cars on the road or are you just noticing them now because they are in your frontal awareness.

I started noticing this when I was doing home tours and inspections. The air conditioners, the windows, the doors the water heaters….everything. Its kinda fun. Next time your out in the world look around and see what you can find that is green.





Craftsman Green Renovation

20 06 2011

From Signonsandiego.com

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair, now in its 13th year and presented by the South Park Business Group and the Greater Golden Hill Community Development Corp.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a diaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a disaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.