New Innovation Makes Electric Car More Affordable

15 11 2011

November 8, 2011 – Vol.16 No.34

INNOVATION TO CUT ELECTRIC VEHICLE COSTS. 
by Bruce Mulliken, Green Energy News

Oil has a long and promising future.

Some of you probably didn’t want to hear that.

According to an in-depth story in the New York Times, new discoveries and new methods of extracting oil are opening up a new chapter: Oil could last another 60 years. New discoveries off the West Coast of Africa and its jigsaw puzzle mate, the East Coast of South America, as well as the soon to be ice-free Arctic as well as waters off Cuba and in the Mediterranean all will add to the global supply. Further, the expansion of squeezing oil from sand is creating a long term supply.

The article mentions only in passing the effect continued guzzling will have on the planet.

There’s no reason to disbelieve the findings of this story.

Will governments of the world make laws that slow the consumption of all this newly accessible oil? Some may try. But don’t count on it.

The only way to stop this inundation is to find a way to make clean alternatives such as electric vehicles far cheaper. That’s a message to EV car companies: Innovate, innovate, innovate to cut costs.

KleenSpeed Technologies, of California, is building an electric vehicle prototype that could potentially be a step in that direction. KleenSpeed calls it KAR. I’ll let words from the company explain:

“The KAR concept is based on a complete rolling platform designed and engineered by KleenSpeed which will be fitted with a variety of alternative body modules.

“The KAR Platform is under development now and the first prototype version of the body module is now being modified at KleenSpeed to drop on to the KAR Platform prototype.

“In keeping with the core values of the KleenSpeed brand, our first production EV will emphasize the driving enthusiast’s perspective. It will be fast, provide crisp and sporty handling, and be really fun to drive. The KleenSpeed KAR VX-1 will also be a real world viable 2-passenger electric vehicle that sets new benchmarks in value, efficiency, performance and EV technology.

“The VX-1 is the first in a series of EVs based on the KAR Platform technologies. A 4-passenger sedan will be developed next, followed by other body configurations …. All offering the KleenSpeed EV experience.

KAR Platform Details

KAR ESS

“The KAR ESS is the heart of the KAR Platform. The scalable ESS will feature thermal control and a self-contained enclosure with modular battery packs to allow for simple size and power variations. The largest version will provide 40 kWh of energy and deliver sports car performance and a real-world range of 120 -140 miles.

KAR PLATFORM

“The KAR PLATFORM incorporates a unitized controller/motor/drivetrain package mounted via rear subframe. The low profile ESS mounts under the floor of all body styles to provide a low center of gravity for responsive handling. Steering and front suspension are also incorporated into a modular subframe design. All three main subassemblies will be joined by a lightweight platform perimeter frame to comprise a complete rolling chassis.

kar2

KAR VEHICLE INTEGRATION

“The KAR Platform is intended to accept a variety of body units to create a full line of E vehicles : a 2 passenger coupe, a 4 passenger sedan, a utility vehicle with a compact pick-up bed, a panel van and a mini SUV are all possible options sharing the common platform. This modular design concept considerably reduces costs to market a full range of vehicle types suited to niche markets.”

The platform will weigh a maximum of 1450 lbs. With a body about 2600 lbs. A 134 hp, 100 kW electric motor will drive the rear wheels.

The approach is actually a return to the past when all cars were made on a body and frame , or chassis, platform that truck companies still use.

The company’s other products include the Eiata, a kit to convert Mazda Miatas to electric drive, a selection of e-bikes and e-scooters, and an electric kart.

 

Links:

KleenSpeed Technologies
http://www.kleenspeed.com





Old Homes Going Green: Worth the Trouble?

18 07 2011

I found this article on a blog called “Historic Home Blog”. I thought it was interesting and wanted to share it. Click Here 

Whether it’s a cozy urban bungalow or a rambling Georgian mansion, renovating old houses is one of the best things homeowners can do for the environment. Not only are they preserving the cultural heritage and craftsmanship of a bygone era, they’re eliminating the environmental impact of constructing a new house. As preservation architect Carl Elefante of Quinn Evans Architects in Washington, D.C., puts it, “The greenest building is the one you don’t build.”But sustainable historic preservation can be tricky, as anyone knows who has tried insulating a drafty Victorian without destroying original plaster walls or leaded windows. Renovating an old house usually entails some sacrifice of the original structure to create a healthy, energy-efficient environment — but not as much as you might think.RELEARNING OLD LESSONS

Much of what we think of as modern green design was taken for granted a century ago, when most homes were built with local and recycled materials, reflective roofs, permeable walkways, operable windows, proximity to public transportation and natural-energy heating sources. “Greenbuilding is nothing new. We’re just relearning old lessons,” says Walter Sedovic, a New York architect who specializes in both historic preservation and sustainable design, and is certified by the U.S. Green Building Council’s LEED (Leadership in Energy and Environmental Design) program.

Alas, what works for building new green homes doesn’t always work for renovating historic ones. Preservationists complain that sustainable design advocates often promote new building at the expense of preservation and adaptive reuse. Even the term “sustainable building” seems to refer to new construction. “In most of the English-speaking world, historic preservation is called ‘heritage conservation,’ so there’s a direct parallel with resource and environmental conservation,” points out Mike Jackson, chief architect of the Illinois Historic Preservation Agency.

Many traditional materials and assemblies are not acknowledged by current greenbuilding standards. “Timber, for example, is considered inconsistent and prone to insect damage by today’s standards, but it’s actually far more resilient alone than with steel added [as braces and connectors], which makes it rigid,” Sedovic explains. “Buildings need to move with the seasons.”

Likewise, lime mortar and old bricks are softer, less consistent and more malleable than modern cement and bricks, qualities that have allowed old buildings to survive, Sedovic says, even through hurricanes. “There is a fallacy that stronger is better,” he says, “but with historic buildings, the ‘weakness’ of traditional materials is better suited to last for centuries.”

Going for the green in a historic home is, in many ways, the antithesis of achieving the solar-paneled modern house. Green preservation is all about invisible sustainability. “People want to say, ‘Aha! That’s the sustainable house, right there!’” says Sedovic. “But when it comes to a green historic home, what you will see is not something readily identifiable, just a traditional building doing what it was originally designed to do.”

HERITAGE ZONES

When undertaking a restoration project, it helps to divide the home into three levels of historic value, or heritage, according to Jackson. “Most important in terms of preservation is the front, the part visible to the world, and historical features just inside the front door like the fireplace, pocket doors and ceiling medallions,” he says. Original windows and exterior surfaces in this zone should be preserved if at all possible.

The sides and back of a house are considered a secondary zone, where materials like siding and windows are replaceable if necessary. The third zone is the part of the house that is invisible to the outside world, such as basements and attics, where alterations don’t affect the home’s historic appearance.

As long as it works aesthetically with the rest of the house, a kitchen can usually be updated without destroying heritage. “If you’re looking at a house built in 1900 with a kitchen from the 1970s, that history was already altered,” says Jackson. “People tend to remodel kitchens every 15 years, and the cycle is getting shorter. What you do with the kitchen is a modern question, not an authenticity question.”

Trying to make a home energy efficient is where preservation and green design objectives typically clash. But lighting and heating upgrades often can be done with minimal damage to historic features if major alterations take place in attics and basements, the least visible zone. Also, if there is sufficient space between lathe and frame, you can pump foam or cellulose insulation into the chambers behind plaster walls.

“With historic homes, the biggest issue is with windows and walls,” says Stephen Farneth, a principal at the Architectural Resources Group in San Francisco. “How do you insulate the wall assembly if the interior finishes are really outstanding? Sometimes we don’t. We find other ways of conserving energy.”

Insulating in that third zone, especially the attic and basement, should be the first step of any green restoration. Pay particular attention to the sill plate, the point where the frame meets the foundation, a notoriously leaky point in old houses. Use caulk and expanding foam where possible.

An energy audit by a utility company or energy contractor can help pinpoint trouble spots using infrared photography and/or a blower door test, in which a powerful fan device is set up in an exterior doorway to create a strong draft inside the house, making it easy to identify air leaks in the building envelope. “Owners of historic homes can cut 25 to 35 percent off their heating bills by doing an energy audit, then insulating attic and basement,” says Jim Cavallo, an energy auditor and associate editor of Home Energy magazine. Cavallo notes that he charges between $350 and $500 for an energy audit, depending on house size.

MYTHS ABOUT WINDOWS

Leaded and stained glass windows are integral to the character of an old house. Unfortunately, they are frequently as drafty as they are charming. Replacing them with vinyl or aluminum windows can drastically change the appearance of a historic house, but many people assume this is the only solution. Everyone knows double-glazed panes beat leaky, century-old singles, right?

Actually, the draft has only partly to do with glass. “At least half the problem is in the way the window meets the sash and wall structure,” says Sedovic. “Often, manufacturers’ claims of efficiency are actually a measure of the glass, not the window unit. As a result, poor choices are made relative to the expense and aggravation of doing window replacements.”

Preservationists sometimes suggest installing storm windows on the interior in order to maintain the outer appearance of original windows facing the street. However, replacement windows have pushed storm windows out of the marketplace, so you might have to look beyond your local home improvement store to find good ones.

Wooden storm windows such as the storm-and-screen combination sold by Marvin Windows and Doors are effective and authentic-looking. Less expensive options include weather-stripping and insulating wood frames with spray insulation, and reglazing panes. In general, restored wood windows look better, last longer and add more to the resale value of a historic home than vinyl or aluminum replacements.

Roofs on old houses can often be worse energy eaters than windows. “On a lot of old houses, the walls and windows are proportionally overwhelmed by the size, character and performance of the roof,” says Elefante. “In that case, don’t tear the windows out. Address the condition of the roof.”

Even a small roof can have a big impact. An experiment on a couple blocks of Philadelphia row houses a few years ago found that black tar on the flat roofs was absorbing sun and heating up the upper floors. Replacing the tar with a reflective silver coating not only reduced temperatures inside the houses but in the surrounding neighborhood as well.

A SCIENTIFIC APPROACH

Along with their aesthetic value, original materials also contain significant “embodied energy,” an environmental benefit destroyed by modern replacements. “You need to look at the fundamental quality of the materials — whether plaster walls, slate roofs, copper gutters or wood windows — and understand they have lasted a long time and will continue to last if treated reasonably well,” Sedovic says. “If a window has to be replaced in three to 10 years, how does that compare to something that’s been in place for 50 to 100? It’s important to look at the cost long-term.”

Unfortunately, there is not a lot of hard evidence to help owners of historic homes, who are contemplating “improvements” such as replacement windows, make the right decisions. “It’s hard to make a comparative discussion between the benefits of a historic casement vs. replacing it,” Sedovic admits, “because there is almost no data available.”

That may be about to change. Interest in sustainable building has led to experiments in green historic home renovation around the country. In Chicago, for example, the Historic Chicago Bungalow Association (HCBA) gathered a team of preservation and greenbuilding experts and began renovating abandoned 1920s brick homes five years ago, with the idea of sharing the results with local homeowners. Where possible, original exteriors, windows and walls are preserved and paired with various modern and efficient energy systems.

This partial insulation ended up being more cost-effective than the $10,000 geothermal system installed in a bungalow down the street.

Annette Conti, executive director of the HCBA, says she expects better results with a geothermal system the HCBA will install in a larger historic home this year. “The larger the house, the better geothermal works,” she notes. “Every project will be slightly different because every home is different and its energy use is different.”

Conti, whose background is in historic preservation, plans to focus on the issue of windows this year. “It alters an old house so much to lose the interesting old window styles,” she says. “The best compromise we’ve come up with is to save the windows on the front of the house and use [replacement] vinyl ones on the sides. Now we get to test it over the next 20 years and compare the performance of historic to vinyl windows.”

Likewise, the Green Building Program of the Office of Sustainable Development in Portland, Ore., is helping local owners of historic homes renovate responsibly. Since winters are relatively mild in Portland, insulating old houses is less of an issue than in Chicago.

Many preservationists say regional initiatives like these may be the key to preserving old homes in a sustainable way. After all, climates and conservation issues differ dramatically from one region to the next.

“What’s important in New England is very different from what’s important in Tucson, where water conservation is a big issue,” says Jackson.

One point is certain: American homes are getting older and we have to find ways to make them work effectively.

“Many people are intoxicated with the new,” says Elefante. “But step outside and look around. Everything out there has already been built. We can’t just find solutions in the cool stuff built last year. We have to find solutions to the stuff that’s already there. Tearing it all down and starting over — that’s just not a good solution.”





What is a Spanish Colonial Home

11 07 2011

 

A Spanish Colonial home is characteristically one with its environment The casual dwellings boast thick stuccoed walls, red tile roofs and enclosed courtyards that extend one’s living space.

As the style migrated throughout the then-Spanish territories, these homes began to veer away from the Spanish and Mexican originals. Today the term Spanish Colonial Revival is used to describe homes built in the early 20th century that incorporate various elements of Mediterranean architecture. But as with all true styles, these homes are linked by a set of common physical characteristics.

Key Features

  • Built from indigenous components. Spanish Colonial homes might be made of adobe in the Southwest and coquina rock in south east.
  • Thick, stucco-clad walls. Thick walls are ideally situated for a hot environment. “Thick walls absorb the day’s heat and gently radiate it back into the building during the cool evenings,” Stacholy says.
  • Small, open windows. Smaller windows, originally sealed by wrought iron grates rather than glass panes, are sited on the building to best capture breezes while avoiding the direct rays of the sun. Wooden shutters, when present, are traditionally mounted on the inside of the home.
  • One story. The Spanish Colonial is the ancestor of our ranch-style house.
  • Limited ornamentation. Ornamentation on these informal homes was often limited to arches on entranceways, principal windows and interior passageways. More elaborate homes might feature intricate stone or tile work, detailed chimney tops and square towers.
  • Wooden support beams. Wooden roof supports project out over the exterior walls in classic Spanish Colonials.
  • Inner courtyard. Historically, the courtyard let families move the cooking — and its accompanying heat and steam — outside. Today, these patios, porches and courtyards act as informal gathering spots for family, extended family and friends.

Practically Speaking: Hassles and Headaches

In hot, arid climates, stucco-clad adobe walls are remarkably long-lasting. However, when located in colder, wetter climates, adobe bricks can shrink and swell, causing the protective stucco to crack or pull away from the interior wall. These homes might require minor patches or complete resurfacing to prevent serious moisture problems. Cracked stucco can also be indicative of foundation issues.

Many Spanish Colonials were built with flat roofs, which, when not drained properly, can leak. Clay-tile roof shingles are durable lifetime materials that require only periodic maintenance. Check regularly for cracked, missing or out-of-place tiles.

Wooden timbers, both interior and exterior, should be inspected for moisture and insect damage.

Green Upgrades

With any old homes going green can sometimes be tricky. Trying to keep the authenticity of your home while bringing it up to date can cause some headaches. Here are some ideas that can help bring that Spanish Colonial Home up to todays green standards.

- Replace old windows with new high r value windows. This will allow you to enjoy the hot arid climates without sacrificing comfort.

- Replace terra cotta roofing shingles with solar voltaic shingles. These shingles are the same look and shape as terra cotta the only difference is that there is a thin solar layer on the top of the shingle allowing the shingle to produce energy.

- Replace exterior doors. Any door leading to the outside can potentially let in or out heat and cool air. The efficiency part come from the home keeping the treated air in the home and not leaking through cracks.

- Insulation always place a big role in being energy efficient. Adobe naturally insulated pretty well, so my only suggestion would be to make sure all cracks are patched and the roof is sealed.

 





“Green”ing up Old Homes

29 06 2011





Old Home Goes Geo Thermal

29 06 2011

LANCASTER COUNTY, PA. — Maintaining the historical aesthetics of an old stone home while reaping the benefits of the newest geothermal technology can be a challenge. Especially if no central HVAC system preceded the arrival of new systems.

Fortunately for the Proud family that’s the type of work Pennsylvania-based Vertex Mechanical specializes in.

The Prouds purchased the property and the old stone homestead in 2001. Built in 1851, their 4,700-sq.ft., seven bedroom home required a lot of TLC before it became the historical showcase it is today. When they decided to restore the home, the Prouds wanted to maintain its old-world charm, and Vertex Mechanical rose to the challenge.

The task would require installing mechanical systems in a house that had no previous ductwork, all without ruining the historical feel and appearance of the home. Great diligence was required to hide ducts, and they had to deal with a fat fieldstone foundation and walls, in some places 3-ft. thick.

“The old home had its own bag of tricks for us to deal with, complicating the mission at every turn, but we eventually found a solution to all of the challenges,” said Vincent Youndt, president of Vertex Mechanical.
“I was very impressed with Vince’s eagerness to keep the integrity of our historic home intact,” said Susan Proud.

Before deciding on what system to install and what contractor to go with, Susan Proud spent months researching new mechanical system possibilities for the home. Since Susan and her husband, Spencer own Abacus Sports Installations, a firm that installs green and U.S. Green Building Council LEED accredited recycled rubber floors, they are both familiar with sustainable products and technology, and they are passionate about the environment too.

“I’ve always had a desire to do what’s right for the environment,” said Susan.

And so, she spent time researching mechanical systems on the web, spoke with several manufacturers and mechanical contracting firms, and visited regional home shows to learn about the variety of systems available. Her search led her to explore the possibility of geothermal heating and cooling. She knew that the installation she was looking for would be an important investment.

Susan was adamant that the equipment, and the workmanship, be the best she could buy. After all, their new (old) home is one they plan to raise their family in (Susan and Spencer have four boys). She even asked several local well drillers who they thought was best qualified to do geothermal installations. More than any other company, Vertex was recommended.

“We specialize in mechanical systems for historical homes and buildings,” explained Youndt. “We practice what we preach [the firm’s shop is an old, brick, five-story tobacco warehouse, renovated and outfitted with a ClimateMaster geothermal system]. Geothermal systems are so flexible. You can do almost anything with the variety of systems manufacturers offer today: forced air, hydronics, radiant heat, dehumidification, integration with solar and so much more.”

One ‘proud’ system

The Proud’s home has two ClimateMaster Tranquility geothermal water-to-air systems. A three-ton TTVO38 packaged system located in the basement takes care of the first floor while a three-ton TTS038 split system handles the upstairs. The gables are vented with a fan to evacuate warm air in the summer.

“We especially like using split systems,” said Youndt. “These enable us to place a condensing unit in the basement where it should be, and from there run refrigerant lines to an attic air handler which, as it turned out, worked perfectly at the Proud’s home.”

Both systems share a six-ton (total of 600 lineal feet) bore hole. What sets this apart from most geothermal applications is the way the systems are used.

According to Youndt, the Proud’s geo systems are not typically run simultaneously at full capacity. In the winter, the downstairs packaged system runs primarily in first stage cycling into second stage as temps go down. Using the entire six-ton capacity of the bore hole for the three-ton unit raises its maximum performance.

In the summer, the roles are reversed. The upstairs split-system runs full time in first stage, cycling into second stage as needed, utilizing the first floor mostly in first stage. In both cases, the opposing system is not running very hard, thus increasing entire system efficiency.

To run ducts, all floorboards were removed and the flexible duct was run against the floor joists. Blown insulation was used to fill the joist bays, and the flooring was laid back down.

“We use high quality flex duct,” said Youndt. “We can’t afford to use a duct that’s going to give out in 10 years.”

The walls remain stone on both sides, which was a key consideration when calculating the unusually high heat load of the old home. Compared to a modern stick built house, Proud’s home is shedding as much thermal energy as a building twice its size.

Going green

In the few years prior to the retrofit, the Prouds were paying between $8,000 and $10,000 a year for all electric and fuel oil. The number dropped to $4,400 for the first year after the system was installed.

“It’s sure nice to have central air conditioning as well as being environmentally friendly and saving money,” said Susan. “We also have family overseas, and when they come to visit, they stay for a long time. We didn’t like the idea of running out of hot water.”

Domestic hot water is provided by a desuperheater and two 50-gal. Bradford White water heaters.

“The first water heater in line acts as the buffer tank for the geo, with no electrical power to it,” explained Youndt. “The second tank maintains the top end of the water heating temp, and is also there for shoulder season back-up heat when geo systems aren’t running steadily.”

“It’s been my dream to have a self-sustaining, off-the-grid house, some day complete with a power-generating wind turbine and photovoltaic panels, too,” said Susan. “The geothermal system is the first step in our plan for making renewable energy a bigger reality here. I guess that means we’re going green, all the way.”

 





Vampire Appliances…How Much They Suck

27 06 2011

Digital video recorders (DVRs), cable and other pay-TV boxes have surpassed refrigerators as the most energy intensive products in US homes, according to a new study.

Also known as set-top boxes, these devices squander the equivalent annual energy output of six coal burning power plants (500 MW) because they do not power down when not in use.

As a result, the hours when the boxes are not in use end up contributing more to electricity bills than when the devices are being used.

The total energy costs for consumers is $3 billion a year — $1 billion to operate when in active use and an additional $2 billion while inactive but still running at near full power.

“Set-top boxes are the ultimate home energy vampires, silently sucking significant amounts of energy and money when nobody’s using them,” says Noah Horowitz, senior scientist at Natural Resources Defense Council (NRDC), the organization that produced the report. “The consumer, who pays the electric bill, deserves technologies without hidden costs. At a time when everyone is trying to cut waste from our budgets and electric grid, service providers shouldn’t saddle their subscribers with boxes that unnecessarily squeeze their wallets.”

The NRDC study, “Reducing the National Energy Consumption of Set-Top Boxes,” also found that today’s average new cable high-definition digital video recorder (HD-DVR) consumes more electricity annually than the new flat panel TV to which it’s typically connected and about 40% more than its basic set-top box counterpart. In contrast, cell phones, which also work on a subscriber basis with a need for secure connections, are able to use extremely low levels of power when not in use – primarily to preserve battery life.

There are approximately 160 million set-top boxes installed in US homes, or the equivalent of one box for every two Americans. They consume as much electricity each year as that consumed by the entire state of Maryland and are responsible for 16 million metric tons of carbon dioxide emissions per year.

National set-top box electricity use is growing as more people shift from basic boxes to DVRs, which provide a convenient way to record and playback shows. A typical household with one DVR and one basic set-top box uses approximately the same annual electricity use of one new refrigerator. These devices still run at near full power when the consumer is neither watching nor recording a show. Hitting the on/off button merely dims the clock or display and does not significantly reduce the amount of power used.

Dramatic energy savings can be readily achieved by having set-top boxes automatically go into a low power mode when people are neither watching nor recording a show. This functionality is beginning to appear in boxes used in Europe. 

To achieve this in the US, pay-TV service providers such as Comcast, Time Warner, Direct TV, Dish and the phone companies could work with manufacturers to develop and deploy more energy efficient devices.

The US EPA has created ENERGY STAR 4.0 for set-up boxes. Cable TV subscribers can request their pay-TV service provider (e.g. their cable or satellite company) supply them with set-top boxes that are ENERGY STAR certified.

“We’ve improved the efficiency of all sorts of electronics – from TVs to video game consoles,” says Horowitz. “It’s just as possible to improve the efficiency of our DVRs and other pay TV boxes. But they’re not going to build a better mousetrap unless we, the consumers, demand it.”





Craftsman Green Renovation

20 06 2011

From Signonsandiego.com

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair, now in its 13th year and presented by the South Park Business Group and the Greater Golden Hill Community Development Corp.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a diaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a disaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.

 





A Green LEEDer of Coronado

17 06 2011

Give Lorton Mitchell a blank piece of paper and a piece of land and watch him go to work. The longtime Coronado builder and third-generation Coronadan has been creating beautiful homes here since 1983. He also just gave Coronado a special honor–a gold medal.

Lorton Mitchell Custom Homes received special accolades by winning the Leadership in Energy & Environmental Design (LEED) Gold Certification for Bella Vista, their latest project at 701 First St. This is Coronado’s first Gold LEED Certification for a home and speaks volumes about the contractor’s dedication to protecting Coronado’s landscape.

LEED is an internationally recognized green building certification system. Achieving LEED recognition is not easy. It involves extreme effort on behalf of the architects, designers and builders from conception to completion. It adds time and expense to a project, but the end result radiates from the intense preparations that go into it.

A LEED winner must focus on energy savings, water efficiency, CO2 emissions reduction, improved indoor environmental quality, and stewardship of resources and sensitivity to their impact on the surrounding homes and area.

The architectural visionary for Bella Vista was Coronado’s Dorothy Howard, who worked hard to add a level of detail typically reserved for the highest examples of Spanish Revival architecture.

The interior design team of Stephanie Davis and Mark Pugh (Davis-Pugh Inc.) made sure nothing inside the house competed with or distracted from the rare, seaside view the location presented.

“Lots of thought went into this,” said Mitchell. “Big houses are at a disadvantage for LEED presentations right off, so we knew going in that we had our work cut out for us. Still, we did this because it was the right thing to do. Our whole criterion was based on achieving this end result. We’re very pleased.”

When driving by Bella Vista, it’s not readily apparent what treasures lie within those unpretentious Spanish-styled walls. “We intentionally wanted to blend into the neighboring community no matter how difficult the challenge,” said Mitchell. “It would have been easy to create a grand palace with large, heavy doors and a massive presence. Certainly the size of the property could have sustained such a palace.”

Indeed, it took real sensitivity to walk through a vacant lot and see so ambitious a goal–a home that consisted of understated elegance and cutting-edge green technology, the likes of which Coronado has never seen.

Energy efficient and environmentally sensitive features include heated floors, hidden photovoltaic and hot water solar panels on the roof. Twelve individual zones throughout the home allow for you to heat or cool each room independent of the others to suit the occupant’s comfort level.

Bella Vista probably has the most sophisticated heating and cooling system in Coronado, but the irony is that the home is so well oriented and insulated that you would seldom need to employ it, said Mitchell.

The area in and around 701 First St. has had quite a history. Two hit TV series were filmed on this stretch of beach–Harry O with David Janssen and Coronado 9 with Rod Cameron.

Large car-carrying ferryboats plied the waters in Bella Vista’s front yard from 1886 through 1969. Before that, pioneer aviator Glen Curtiss landed his airplane on that stretch of dirt, and before that, Kumeyaay Indians foraged for food along these banks.

The history of this stretch of bayside beach was not lost on Mitchell. He grew up just two blocks away. “I designed and built my first boat on this beach when I was 11,” he said with a twinge of irony.

Most days, as the twilight hues engulf San Diego Bay, Mitchell can be found on his large paddleboard maneuvering along the waters just off Bella Vista, admiring his handiwork and appropriately feeling a larger part of that history.

Bella Vista is featured on the cover of this month’s San Diego Home/Garden Lifestyles Magazine, a major prize unto itself. The article, by veteran journalist David Coddon, starts out, “Coronado’s Bella Vista manse is architecturally supreme, responsibly green and a sight to be seen.”

The home is unpretentious, yet unbridled elegance. Of the roughly 38 lots on this bay side of First Street, Bella Vista is one of the few homes where bay and street lots are combined. “Someone rich and famous could live here and no one would know,” said Mitchell.

Bella Vista measures just over 9,000 square feet and boasts seven bedrooms and nine bathrooms within its walls. This includes a two-bedroom, two-bath casita in the rear and an enclosed garage that can house up to eight cars. An oversized turntable (designed by Coronadans Bill Gise and Jim Newhall) allows cars to be moved around like Tonka Toys.

There is a separate prep-kitchen and an elegant wine vault, both of which lend the house to large parties and fundraisers. Spacious rooms and patios seemingly beg to host major events. Clearly comfort was a top priority with the design team.

Walking through the house you are immediately struck by the natural lighting, the windows looking out on to San Diego Bay, the vaulted, exposed beam ceilings and adherence to the lovely arches used so predominantly in construction of the early Spanish missions.

The entire home gently steps down to the water to avoid a heavy presence, and offers a breathtaking 180-degree view that takes in San Diego Bay from the Coronado Bridge north to Point Loma.

Mitchell’s previous projects have demonstrated a wide variety ranging from quaint alley homes to large estates along the golf course. For years he has held a fascination with Santa Barbara Spanish-style homes, which is romantically evident in this latest project.

“Over the years I’ve seen many homes that literally die after 30 years. They were built in haste, and without a lot of concern about what materials or techniques were employed,” said the popular builder.

“Seeing that makes me want to build homes that will last, that will enhance the property and the neighborhood, that will stand the test of time. I fully expect our homes to last 100 years or more,” said Mitchell.

Bella Vista, the waterfront home at 701 First St., took 16 careful months to create. It is currently on the market. Lorton Mitchell Custom Homes has more than 100 completed projects in Coronado. For more information call 619-435-3446 or visit their website atwww.lortonmitchellhomes.com.





Energy Efficient Windows and What it Means to You

10 06 2011


According to the U.S. Department of Energy, leaky and inefficient windows, skylights and doors account for up to 25 percent of the average household’s energy bills. Some sources estimate as high as 40 percent. A lot depends on where you live:

Cold climates lose energy in the form of heat

Hot climates lose energy in the form of cooling

The colder or hotter the climate, the greater your heating or cooling costs and the greater potential you have to save money on energy costs. Nearly everyone can benefit by replacing leaky, inefficient windows with modern energy-efficient windows. Depending on your location, you can cut energy costs by as much as 15 percent.

A Smart Investment

NFRC Label
Replacing all of a home’s windows can be a big investment. The good news is, it’s an investment that can pay for itself in just a few years. Here’s how:

- Improves curb appeal and increases resale value. According to the 2008/09 Cost vs. Value Report (a combined effort by Remodeling magazine and REALTOR® magazine), homeowners can expect to recoup about 93% percent for vinyl or wood window replacement.

- Reduces heating and/or cooling costs, which saves you money every year.

- Increases the comfort of your home.

- Can qualify you for rebates and tax incentives.

 

Thoughts with Pat:


When I’m out showing places with clients I have found that windows play a large role in the decision making process. There are a large majority of older homes in San Diego that still use the older metal framed window. These windows tend to let in more noise, heat and generally look dated. When clients see that the windows have been updated to energy efficient windows it makes their decision much easier because they know that at some level their lives at home with be just a little more comfortable. If you live in an older home with older window, consider upgrading to new Energy Efficient Windows, you might just save a penny or two.





Net Zero Office Building Here in San Diego

7 06 2011

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