Historic Homes in Coronado

22 08 2011

Historic Properties

Historic Resources
CITY OF CORONADO
DESIGNATED HISTORIC RESOURCES

Address
(click for picture)
Architectural Style Year Built
450 A Ave Tudor 1929
509 A Ave Craftsman Bungalow 1908
526 A Ave English Revival 1925
536 A Ave Moderne 1920
550 A Ave Craftsman Bungalow 1913
575 A Ave Moderne 1928
600 A Ave Craftsman Bungalow 1912
611 A Ave Tudor 1908
623 A Ave Craftsman Bungalow 1909
625 A Ave Spanish Moderne 1926
629 A Ave Spanish Moderne 1925
723 A Ave Tudor 1903
917 A Ave Craftsman Bungalow Circa 1894
921 A Ave Craftsman Bungalow Circa 1896
710 Adella Craftsman Bungalow 1936
803 Adella English Revival 1915
1005 Adella Ave English Tudor 1903
1013 Adella Ave English Eclectic 1926
1015 Adella Ave Spanish Colonial Revival 1926
1021 Adella Ave Spanish Colonial Revival 1933
1022 Adella Ave Craftsman 1898
1027 Adella Ave Spanish Colonial Revival 1923
1033 Adella Ave Prairie 1924
633 Alameda Blvd Spanish Hacienda 1935
757 Alameda Blvd Spanish Eclectic 1926
1135 Alameda Blvd Colonial Cottage Bungalow 1923
1236 Alameda Blvd Italian Renaissance 1912
1241 Alameda Blvd Spanish Colonial 1925
1244 Alameda Blvd Eclectic English Tudor 1925
455 B Ave Colonial Revival 1919
520 B Ave Spanish Colonial Revival 1927
550 B Ave Tudor 1926
566 B Ave Tudor 1925
700 B Ave Craftsman Bungalow 1911
721 B Ave Mission Revival 1924
738 B Ave Craftsman Bungalow 1911
744 B Ave Craftsman Bungalow 1911
754 B Ave Craftsman Bungalow 1910
975 B Ave Craftsman Bungalow 1913
208 C Ave Craftsman Bungalow 1927
279 C Ave Victorian 1888
476 C Ave Craftsman Bungalow 1912
561 C Ave Spanish Colonial Revival 1927
731 C Ave Craftsman Bungalow 1911
749 C Ave Craftsman Bungalow 1909
763 C Ave Craftsman Bungalow 1911
765 C Ave Craftsman Bungalow 1909
936-954 C Ave Mission Revival Court 1925
1112 Churchill Place Queen Anne Circa 1888
108 D Ave Craftsman Bungalow Circa 1892
350 D Ave Spanish Revival 1937
721-727 D Ave French Normandy 1939
848-866 D Ave Moorish Mediterranean 1930
909 D Ave Mission Revival 1926
927 D Ave Tudor 1924
948 D Ave Colonial Revival Circa 1913
576 E Ave Foursquare Circa 1892
824 E Ave Craftsman 1908
900 E Ave Spanish Colonial Revival 1930
1025 E Ave Craftsman Bungalow 1919
1000 Eighth Street Queen Anne Circa 1886
904 Fifth Street Craftsman Bungalow 1915
1427 Fifth Street Spanish Colonial Revival 1936
300 First Street Hawaiian Plantation Circa 1903
624 First Street Dutch Colonial Revival 1907
1127 F Ave Mission Revival 1924
1015 Flora Ave Victorian Circa 1892
1111 Flora Ave Italianate 1931
1119 Flora Ave Spanish Colonail Revival 1925
1125 Flora Ave Late Victorian Circa 1897
160 G Ave Spanish Hacienda 1938
329 G Ave Craftsman Bungalow 1916
465 G Ave Mission Revival 1926
471 G Ave Mission Revival 1926
720 G Ave Folk Victorian Circa 1892
751-761 G Ave Spanish Mediterranean 1937
777 G Ave Spanish Hacienda 1936
941 G Ave Bungalow 1904
1027 G Ave Craftsman 1913
1038 G Ave Craftsman Bungalow 1924
1111 G Ave Bungalow 1914
1117 G Ave Transitional Ranch 1915
1125 G Ave Spanish Revival 1928
600 Glorietta Blvd Neoclassic 1921
848 Glorietta Blvd Mediterranean Villa 1919
940 Glorietta Blvd Tudor 1925
1000 Glorietta Blvd Pueblo Revival 1916
1504 Glorietta Blvd Spanish Revival, Eclectic 1927
928 H Ave Spanish Colonial Revival 1930
165 I Ave Spanish Eclectic 1933
266 I Ave Spanish Hacienda 1936
930 I Ave Folk Victorian 1887
1100 Isabella Ave Craftsman Bungalow 1913
1156 Isabella Ave Prairie Tudor 1910
710 J Ave Spanish Colonial Revival 1929
740 J Ave Mission Revival 1928
909 J Ave Bungalow 1912
941 J Ave Spanish Colonial Revival 1928
961 J Ave New Mexico Territorial 1919
1015 Loma Ave Mediterranean 1926
1045 Loma Ave Mission 1926
1110 Loma Ave Victorian 1913
1111 Loma Ave Victorian Cottage 1888
1115 Loma Ave English Country Cottage 1925
1116 Loma Ave Victorian 1906
1126 Loma Ave Late Victorian circa 1898
1135 Loma Ave Craftsman Bungalow 1898
1118 Loma Lane French Eclectic 1898
535 Margarita Ave Spanish Hacienda 1938
1807 Monterey Ave Spanish Colonial Revival 1935
300 Ninth Street Mediterranean 1924
1006-1008 Ninth Street Craftsman Bungalow 1913
1012 Ninth Street Craftsman Bungalow 1913
535 Ocean Blvd Italian Renaissance 1911
541 Ocean Blvd Foursquare 1919
1015 Ocean Blvd Tudor 1902
1043 Ocean Blvd Italian Renaissance 1908
1010 Olive Ave Spanish Colonial Revival 1931
1030 Olive Ave Tudor 1924
1032 Olive Ave Tudor 1924
640 Orange Ave Neo Classical 1909
465 Palm Ave Spanish Colonial Revival 1929
1022 Park Place Queen Anne 1896
320 Seventh Street French Provincial 1936
1212 Sixth Street Prairie 1915
1306 Sixth Street Italianate 1927
1101 Star Park Colonial Revival Circa 1897
605 Tenth St English Tudor 1925
1313 Tenth Street Spanish Colonial Revival 1926
801 Tolita Ave Tudor 1911
826 Tolita Ave Craftsman Bungalow 1913
834 Tolita Ave Craftsman Bungalow 1913
1704 Visalia Ave Tudor 1907
1710 Visalia Ave Craftsman 1896
1718 Visalia Ave Craftsman 1896
1401 Ynez Place Italianate 1906




Check this San Diego Craftsman Out

25 07 2011

I came across this little gem while searching for a client. I am a huge fan of Craftsman style homes. I love their elegance and attention to detail. Ideally if I can the fund I would go victorian but realistically a Craftsman is more in my immediate means. Click on the link below to check out these pictures there insane. This home have been kept in amazing condition.

The seller is a 5th generation San Diegan, whose respect for the heritage of this community is reflected in the careful preservation and upgrading of this Arts and Crafts 1921 home. 9-foot ceilings, extravagant premium wood trims and mouldings, hardwood floors, a broad-mantled fireplace which serves the living room, and a house-spanning front porch ideal for enjoying the gated garden and visiting with neighbors, lovely sunny South-facing backyard. Homes like these are amazing as they stand but if the buyer is so inclined add ons and upgrades can be done to help this home become more energy efficient. Solar voltaic roofing tiles, tanksless water heaters, new windows and energy star appliances are a few ideas that could really push this historic home to the next level.

Click here for more info





Old Homes Going Green: Worth the Trouble?

18 07 2011

I found this article on a blog called “Historic Home Blog”. I thought it was interesting and wanted to share it. Click Here 

Whether it’s a cozy urban bungalow or a rambling Georgian mansion, renovating old houses is one of the best things homeowners can do for the environment. Not only are they preserving the cultural heritage and craftsmanship of a bygone era, they’re eliminating the environmental impact of constructing a new house. As preservation architect Carl Elefante of Quinn Evans Architects in Washington, D.C., puts it, “The greenest building is the one you don’t build.”But sustainable historic preservation can be tricky, as anyone knows who has tried insulating a drafty Victorian without destroying original plaster walls or leaded windows. Renovating an old house usually entails some sacrifice of the original structure to create a healthy, energy-efficient environment — but not as much as you might think.RELEARNING OLD LESSONS

Much of what we think of as modern green design was taken for granted a century ago, when most homes were built with local and recycled materials, reflective roofs, permeable walkways, operable windows, proximity to public transportation and natural-energy heating sources. “Greenbuilding is nothing new. We’re just relearning old lessons,” says Walter Sedovic, a New York architect who specializes in both historic preservation and sustainable design, and is certified by the U.S. Green Building Council’s LEED (Leadership in Energy and Environmental Design) program.

Alas, what works for building new green homes doesn’t always work for renovating historic ones. Preservationists complain that sustainable design advocates often promote new building at the expense of preservation and adaptive reuse. Even the term “sustainable building” seems to refer to new construction. “In most of the English-speaking world, historic preservation is called ‘heritage conservation,’ so there’s a direct parallel with resource and environmental conservation,” points out Mike Jackson, chief architect of the Illinois Historic Preservation Agency.

Many traditional materials and assemblies are not acknowledged by current greenbuilding standards. “Timber, for example, is considered inconsistent and prone to insect damage by today’s standards, but it’s actually far more resilient alone than with steel added [as braces and connectors], which makes it rigid,” Sedovic explains. “Buildings need to move with the seasons.”

Likewise, lime mortar and old bricks are softer, less consistent and more malleable than modern cement and bricks, qualities that have allowed old buildings to survive, Sedovic says, even through hurricanes. “There is a fallacy that stronger is better,” he says, “but with historic buildings, the ‘weakness’ of traditional materials is better suited to last for centuries.”

Going for the green in a historic home is, in many ways, the antithesis of achieving the solar-paneled modern house. Green preservation is all about invisible sustainability. “People want to say, ‘Aha! That’s the sustainable house, right there!’” says Sedovic. “But when it comes to a green historic home, what you will see is not something readily identifiable, just a traditional building doing what it was originally designed to do.”

HERITAGE ZONES

When undertaking a restoration project, it helps to divide the home into three levels of historic value, or heritage, according to Jackson. “Most important in terms of preservation is the front, the part visible to the world, and historical features just inside the front door like the fireplace, pocket doors and ceiling medallions,” he says. Original windows and exterior surfaces in this zone should be preserved if at all possible.

The sides and back of a house are considered a secondary zone, where materials like siding and windows are replaceable if necessary. The third zone is the part of the house that is invisible to the outside world, such as basements and attics, where alterations don’t affect the home’s historic appearance.

As long as it works aesthetically with the rest of the house, a kitchen can usually be updated without destroying heritage. “If you’re looking at a house built in 1900 with a kitchen from the 1970s, that history was already altered,” says Jackson. “People tend to remodel kitchens every 15 years, and the cycle is getting shorter. What you do with the kitchen is a modern question, not an authenticity question.”

Trying to make a home energy efficient is where preservation and green design objectives typically clash. But lighting and heating upgrades often can be done with minimal damage to historic features if major alterations take place in attics and basements, the least visible zone. Also, if there is sufficient space between lathe and frame, you can pump foam or cellulose insulation into the chambers behind plaster walls.

“With historic homes, the biggest issue is with windows and walls,” says Stephen Farneth, a principal at the Architectural Resources Group in San Francisco. “How do you insulate the wall assembly if the interior finishes are really outstanding? Sometimes we don’t. We find other ways of conserving energy.”

Insulating in that third zone, especially the attic and basement, should be the first step of any green restoration. Pay particular attention to the sill plate, the point where the frame meets the foundation, a notoriously leaky point in old houses. Use caulk and expanding foam where possible.

An energy audit by a utility company or energy contractor can help pinpoint trouble spots using infrared photography and/or a blower door test, in which a powerful fan device is set up in an exterior doorway to create a strong draft inside the house, making it easy to identify air leaks in the building envelope. “Owners of historic homes can cut 25 to 35 percent off their heating bills by doing an energy audit, then insulating attic and basement,” says Jim Cavallo, an energy auditor and associate editor of Home Energy magazine. Cavallo notes that he charges between $350 and $500 for an energy audit, depending on house size.

MYTHS ABOUT WINDOWS

Leaded and stained glass windows are integral to the character of an old house. Unfortunately, they are frequently as drafty as they are charming. Replacing them with vinyl or aluminum windows can drastically change the appearance of a historic house, but many people assume this is the only solution. Everyone knows double-glazed panes beat leaky, century-old singles, right?

Actually, the draft has only partly to do with glass. “At least half the problem is in the way the window meets the sash and wall structure,” says Sedovic. “Often, manufacturers’ claims of efficiency are actually a measure of the glass, not the window unit. As a result, poor choices are made relative to the expense and aggravation of doing window replacements.”

Preservationists sometimes suggest installing storm windows on the interior in order to maintain the outer appearance of original windows facing the street. However, replacement windows have pushed storm windows out of the marketplace, so you might have to look beyond your local home improvement store to find good ones.

Wooden storm windows such as the storm-and-screen combination sold by Marvin Windows and Doors are effective and authentic-looking. Less expensive options include weather-stripping and insulating wood frames with spray insulation, and reglazing panes. In general, restored wood windows look better, last longer and add more to the resale value of a historic home than vinyl or aluminum replacements.

Roofs on old houses can often be worse energy eaters than windows. “On a lot of old houses, the walls and windows are proportionally overwhelmed by the size, character and performance of the roof,” says Elefante. “In that case, don’t tear the windows out. Address the condition of the roof.”

Even a small roof can have a big impact. An experiment on a couple blocks of Philadelphia row houses a few years ago found that black tar on the flat roofs was absorbing sun and heating up the upper floors. Replacing the tar with a reflective silver coating not only reduced temperatures inside the houses but in the surrounding neighborhood as well.

A SCIENTIFIC APPROACH

Along with their aesthetic value, original materials also contain significant “embodied energy,” an environmental benefit destroyed by modern replacements. “You need to look at the fundamental quality of the materials — whether plaster walls, slate roofs, copper gutters or wood windows — and understand they have lasted a long time and will continue to last if treated reasonably well,” Sedovic says. “If a window has to be replaced in three to 10 years, how does that compare to something that’s been in place for 50 to 100? It’s important to look at the cost long-term.”

Unfortunately, there is not a lot of hard evidence to help owners of historic homes, who are contemplating “improvements” such as replacement windows, make the right decisions. “It’s hard to make a comparative discussion between the benefits of a historic casement vs. replacing it,” Sedovic admits, “because there is almost no data available.”

That may be about to change. Interest in sustainable building has led to experiments in green historic home renovation around the country. In Chicago, for example, the Historic Chicago Bungalow Association (HCBA) gathered a team of preservation and greenbuilding experts and began renovating abandoned 1920s brick homes five years ago, with the idea of sharing the results with local homeowners. Where possible, original exteriors, windows and walls are preserved and paired with various modern and efficient energy systems.

This partial insulation ended up being more cost-effective than the $10,000 geothermal system installed in a bungalow down the street.

Annette Conti, executive director of the HCBA, says she expects better results with a geothermal system the HCBA will install in a larger historic home this year. “The larger the house, the better geothermal works,” she notes. “Every project will be slightly different because every home is different and its energy use is different.”

Conti, whose background is in historic preservation, plans to focus on the issue of windows this year. “It alters an old house so much to lose the interesting old window styles,” she says. “The best compromise we’ve come up with is to save the windows on the front of the house and use [replacement] vinyl ones on the sides. Now we get to test it over the next 20 years and compare the performance of historic to vinyl windows.”

Likewise, the Green Building Program of the Office of Sustainable Development in Portland, Ore., is helping local owners of historic homes renovate responsibly. Since winters are relatively mild in Portland, insulating old houses is less of an issue than in Chicago.

Many preservationists say regional initiatives like these may be the key to preserving old homes in a sustainable way. After all, climates and conservation issues differ dramatically from one region to the next.

“What’s important in New England is very different from what’s important in Tucson, where water conservation is a big issue,” says Jackson.

One point is certain: American homes are getting older and we have to find ways to make them work effectively.

“Many people are intoxicated with the new,” says Elefante. “But step outside and look around. Everything out there has already been built. We can’t just find solutions in the cool stuff built last year. We have to find solutions to the stuff that’s already there. Tearing it all down and starting over — that’s just not a good solution.”





Bungalow (Craftsman) Porch Styles

3 07 2011

Note that no matter the style of bungalow, they have one important feature in common – the bungalow porch. Because of the nature of design, the bungalow porch creates a sense of community.

You will find that most bungalows are built in specific sections of a town or city. Their owners would sit on the porch after a hard days work to rest and talk with neighbors and friends. Bungalows have great porches.

The American Craftsman bungalow typified the common styles of the American Arts and Crafts movement, with common features to include low-pitch roof lines on a gabled or hipped roof; deeply overhanging eaves; exposed rafters or decorative brackets under the eaves; and a front porch beneath an extension of the main roof.

Bungalow Porch

 

Chicago Bungalows are typically built of brick and have one and a half stories. The primary difference between a Chicago bungalow and others is that the roof gables are parallel rather than perpendicular to the street. Chicago bungalows are relatively narrow, an average of only 20 feet wide.

Chicago Bungalow Porch

 

The California Bungalow was a widely popular 1 1/2 story variation on the bungalow in America from 1910 to 1925.

California Bungalow Porch

California Bungalow

Milwaukee Bungalows: Many older houses in Milwaukee, Wisconsin, are bungalows similar to those of the Arts and Crafts style like Chicago’s, but usually with the roof gables perpendicular to the street. Milwaukee bungalows tend to have white stucco on the lower portion of the exterior.

Detroit Bungalows: Also built during the Arts and Crafts movement, Detroit bungalows were constructed using local building materials.

Types of Arts and Crafts Bungalow Designs

Bungalow Porch

 

Ranch Bungalows: Ranch bungalows are designed with bedrooms on one side and the living areas on the other. The attached garage, if present, is located on the living area side.

Raised bungalows: Raised bungalows have a basement that is partially above ground allowing for natural lighting in the lower level. Foyers are usually located at ground level half-way between the floors. Garage entrances are normally at basement level.

Airplane Bungalows: Variations of craftsman style home plans include the “Airplane” bungalow which has a much smaller area on its second floor that appears to “pop out”. Centered on the structure with windows on all sides it has a view much like that of a cockpit of an airplane. An LA company introduced a Japanese-pagoda roof-line inspired style at one time and called it an “aeroplane bungalow.”

Airplane Bungalow Porch

You might note that bungalows do not have attics. This allows for the distinctive roof line which is normally quite low. Natural materials like wooden shingles and clapboard are used for siding. Cobblestones and brick are normally used for the exterior walls, porch columns and chimneys.

 





LEED Approved Craftsman Style Home

13 06 2011

According to its LEED for Homes score, the Gottfried family’s East Bay craftsman is the greenest private home in America. Fortunately, when they decided to retrofit the house for a greener lifestyle, they chose to keep the beautiful craftsman bones intact. The result is an amazingly harmonious combination of early-20th-century style with innovative new systems for everyday conservation, including wastewater recycling and solar energy.

Backstory. David Gottfried is the founder of the U.S. Green Building Council, and so when his family bought the long-neglected 1915 bungalow, they were determined to make it as green as green could be. Their decision to move in the first place was inspired by a desire to reduce their footprint; they went from a 2,600 square foot house high up in the hills to 1,500 square feet in a walkable neighborhood near a BART station. To eliminate his commute entirely, Gottfried built a home office, a LifePod shed in the yard powered by solar, and heated by the sun as well through an all-glass wall.

Green Details. All of the paints used in the bungalow’s renovation were zero-VOC paints by Mythic. Celluose insulation, recycled from newsprint, was blown into the existing walls through small holes drilled in the wood paneling. A gray water recycling system nourishes the native plantings in the yard, and also provides water to the house’s toilets. Solar panels bring the family’s electric bill down to net zero by feeding energy back into the grid on sunny days. And for the bungalow’s exterior stairs, which needed to be replaced, the family chose wood from a century-old bridge in Sacramento.





San Diego’s Craftsman Style Homes

24 05 2011

Yesterday I was part of a home tour that was showing new clients the different areas of San Diego. On the tour we visited North Park, Golden Hills, Mission Hills, Normal heights and Hillcrest. I really love these areas.  With the old architecture and great neighborhood feel, these parts of town have been have always been desirable locations for home buyers. As we were popping in and out of homes it dawned on my that I should do a little piece on San Diego’s older neighborhood home styles….

The Craftsman Style

Craftsman’s Style homes can be found all through out the older hoods of SD, for example the majority of North Park and South Park are craftsman. The big surprise from yestrdays tour was the Golden Hills area. I don’t spend a lot of time here but after yesterday my radar is definitely on for this neighborhood.

Golden Hill is one of San Diego’s most historic and architecturally eclectic zones, with many pre-1900 homes and apartments. With its once stately old mansions, quaint bungalows and apartment buildings, Golden Hill is currently enjoying a rejuvenation. On the southeast end of Balboa Park, Golden Hill (and adjacent South Park) has some fine views of downtown and pockets of really cool neighborhoods.

Some signs of Craftsman Style Homes include…….

[youtube http://www.youtube.com/watch?v=Rkg_FMNsbD4&w=480&h=390]

Signature Inviting Porch
Typically a battened door with wrought-iron strap hinges welcomes guests paired with the signature wide, inviting porch unique to Craftsman style homes. The front porch typically spans the width of the front exterior facade supported by heavy square or round columns contrasting the bold exterior stone chimneys.

Details Increase Functionality
Inside, Craftsman style homes offer airy open floor plans with few hallways but lots of windows to let in light. Stained or leaded glass windows provide a special touch while beamed ceilings, dark wood wainscoting moldings, built-in cabinets, shelves and seating create a cozy welcoming retreat for family activities and casual entertaining.

Low-Slung Roof
Related to Bungalow, Prairie, and Pueblo homes, Craftsman style house plans feature wood, stone or stucco siding, a low pitched roof, and wide eaves with exposed wood rafters. The low-slung roof; often with multiple projections gives the home a “built-in” feel.