Check this San Diego Craftsman Out

25 07 2011

I came across this little gem while searching for a client. I am a huge fan of Craftsman style homes. I love their elegance and attention to detail. Ideally if I can the fund I would go victorian but realistically a Craftsman is more in my immediate means. Click on the link below to check out these pictures there insane. This home have been kept in amazing condition.

The seller is a 5th generation San Diegan, whose respect for the heritage of this community is reflected in the careful preservation and upgrading of this Arts and Crafts 1921 home. 9-foot ceilings, extravagant premium wood trims and mouldings, hardwood floors, a broad-mantled fireplace which serves the living room, and a house-spanning front porch ideal for enjoying the gated garden and visiting with neighbors, lovely sunny South-facing backyard. Homes like these are amazing as they stand but if the buyer is so inclined add ons and upgrades can be done to help this home become more energy efficient. Solar voltaic roofing tiles, tanksless water heaters, new windows and energy star appliances are a few ideas that could really push this historic home to the next level.

Click here for more info





Old Homes Going Green: Worth the Trouble?

18 07 2011

I found this article on a blog called “Historic Home Blog”. I thought it was interesting and wanted to share it. Click Here 

Whether it’s a cozy urban bungalow or a rambling Georgian mansion, renovating old houses is one of the best things homeowners can do for the environment. Not only are they preserving the cultural heritage and craftsmanship of a bygone era, they’re eliminating the environmental impact of constructing a new house. As preservation architect Carl Elefante of Quinn Evans Architects in Washington, D.C., puts it, “The greenest building is the one you don’t build.”But sustainable historic preservation can be tricky, as anyone knows who has tried insulating a drafty Victorian without destroying original plaster walls or leaded windows. Renovating an old house usually entails some sacrifice of the original structure to create a healthy, energy-efficient environment — but not as much as you might think.RELEARNING OLD LESSONS

Much of what we think of as modern green design was taken for granted a century ago, when most homes were built with local and recycled materials, reflective roofs, permeable walkways, operable windows, proximity to public transportation and natural-energy heating sources. “Greenbuilding is nothing new. We’re just relearning old lessons,” says Walter Sedovic, a New York architect who specializes in both historic preservation and sustainable design, and is certified by the U.S. Green Building Council’s LEED (Leadership in Energy and Environmental Design) program.

Alas, what works for building new green homes doesn’t always work for renovating historic ones. Preservationists complain that sustainable design advocates often promote new building at the expense of preservation and adaptive reuse. Even the term “sustainable building” seems to refer to new construction. “In most of the English-speaking world, historic preservation is called ‘heritage conservation,’ so there’s a direct parallel with resource and environmental conservation,” points out Mike Jackson, chief architect of the Illinois Historic Preservation Agency.

Many traditional materials and assemblies are not acknowledged by current greenbuilding standards. “Timber, for example, is considered inconsistent and prone to insect damage by today’s standards, but it’s actually far more resilient alone than with steel added [as braces and connectors], which makes it rigid,” Sedovic explains. “Buildings need to move with the seasons.”

Likewise, lime mortar and old bricks are softer, less consistent and more malleable than modern cement and bricks, qualities that have allowed old buildings to survive, Sedovic says, even through hurricanes. “There is a fallacy that stronger is better,” he says, “but with historic buildings, the ‘weakness’ of traditional materials is better suited to last for centuries.”

Going for the green in a historic home is, in many ways, the antithesis of achieving the solar-paneled modern house. Green preservation is all about invisible sustainability. “People want to say, ‘Aha! That’s the sustainable house, right there!’” says Sedovic. “But when it comes to a green historic home, what you will see is not something readily identifiable, just a traditional building doing what it was originally designed to do.”

HERITAGE ZONES

When undertaking a restoration project, it helps to divide the home into three levels of historic value, or heritage, according to Jackson. “Most important in terms of preservation is the front, the part visible to the world, and historical features just inside the front door like the fireplace, pocket doors and ceiling medallions,” he says. Original windows and exterior surfaces in this zone should be preserved if at all possible.

The sides and back of a house are considered a secondary zone, where materials like siding and windows are replaceable if necessary. The third zone is the part of the house that is invisible to the outside world, such as basements and attics, where alterations don’t affect the home’s historic appearance.

As long as it works aesthetically with the rest of the house, a kitchen can usually be updated without destroying heritage. “If you’re looking at a house built in 1900 with a kitchen from the 1970s, that history was already altered,” says Jackson. “People tend to remodel kitchens every 15 years, and the cycle is getting shorter. What you do with the kitchen is a modern question, not an authenticity question.”

Trying to make a home energy efficient is where preservation and green design objectives typically clash. But lighting and heating upgrades often can be done with minimal damage to historic features if major alterations take place in attics and basements, the least visible zone. Also, if there is sufficient space between lathe and frame, you can pump foam or cellulose insulation into the chambers behind plaster walls.

“With historic homes, the biggest issue is with windows and walls,” says Stephen Farneth, a principal at the Architectural Resources Group in San Francisco. “How do you insulate the wall assembly if the interior finishes are really outstanding? Sometimes we don’t. We find other ways of conserving energy.”

Insulating in that third zone, especially the attic and basement, should be the first step of any green restoration. Pay particular attention to the sill plate, the point where the frame meets the foundation, a notoriously leaky point in old houses. Use caulk and expanding foam where possible.

An energy audit by a utility company or energy contractor can help pinpoint trouble spots using infrared photography and/or a blower door test, in which a powerful fan device is set up in an exterior doorway to create a strong draft inside the house, making it easy to identify air leaks in the building envelope. “Owners of historic homes can cut 25 to 35 percent off their heating bills by doing an energy audit, then insulating attic and basement,” says Jim Cavallo, an energy auditor and associate editor of Home Energy magazine. Cavallo notes that he charges between $350 and $500 for an energy audit, depending on house size.

MYTHS ABOUT WINDOWS

Leaded and stained glass windows are integral to the character of an old house. Unfortunately, they are frequently as drafty as they are charming. Replacing them with vinyl or aluminum windows can drastically change the appearance of a historic house, but many people assume this is the only solution. Everyone knows double-glazed panes beat leaky, century-old singles, right?

Actually, the draft has only partly to do with glass. “At least half the problem is in the way the window meets the sash and wall structure,” says Sedovic. “Often, manufacturers’ claims of efficiency are actually a measure of the glass, not the window unit. As a result, poor choices are made relative to the expense and aggravation of doing window replacements.”

Preservationists sometimes suggest installing storm windows on the interior in order to maintain the outer appearance of original windows facing the street. However, replacement windows have pushed storm windows out of the marketplace, so you might have to look beyond your local home improvement store to find good ones.

Wooden storm windows such as the storm-and-screen combination sold by Marvin Windows and Doors are effective and authentic-looking. Less expensive options include weather-stripping and insulating wood frames with spray insulation, and reglazing panes. In general, restored wood windows look better, last longer and add more to the resale value of a historic home than vinyl or aluminum replacements.

Roofs on old houses can often be worse energy eaters than windows. “On a lot of old houses, the walls and windows are proportionally overwhelmed by the size, character and performance of the roof,” says Elefante. “In that case, don’t tear the windows out. Address the condition of the roof.”

Even a small roof can have a big impact. An experiment on a couple blocks of Philadelphia row houses a few years ago found that black tar on the flat roofs was absorbing sun and heating up the upper floors. Replacing the tar with a reflective silver coating not only reduced temperatures inside the houses but in the surrounding neighborhood as well.

A SCIENTIFIC APPROACH

Along with their aesthetic value, original materials also contain significant “embodied energy,” an environmental benefit destroyed by modern replacements. “You need to look at the fundamental quality of the materials — whether plaster walls, slate roofs, copper gutters or wood windows — and understand they have lasted a long time and will continue to last if treated reasonably well,” Sedovic says. “If a window has to be replaced in three to 10 years, how does that compare to something that’s been in place for 50 to 100? It’s important to look at the cost long-term.”

Unfortunately, there is not a lot of hard evidence to help owners of historic homes, who are contemplating “improvements” such as replacement windows, make the right decisions. “It’s hard to make a comparative discussion between the benefits of a historic casement vs. replacing it,” Sedovic admits, “because there is almost no data available.”

That may be about to change. Interest in sustainable building has led to experiments in green historic home renovation around the country. In Chicago, for example, the Historic Chicago Bungalow Association (HCBA) gathered a team of preservation and greenbuilding experts and began renovating abandoned 1920s brick homes five years ago, with the idea of sharing the results with local homeowners. Where possible, original exteriors, windows and walls are preserved and paired with various modern and efficient energy systems.

This partial insulation ended up being more cost-effective than the $10,000 geothermal system installed in a bungalow down the street.

Annette Conti, executive director of the HCBA, says she expects better results with a geothermal system the HCBA will install in a larger historic home this year. “The larger the house, the better geothermal works,” she notes. “Every project will be slightly different because every home is different and its energy use is different.”

Conti, whose background is in historic preservation, plans to focus on the issue of windows this year. “It alters an old house so much to lose the interesting old window styles,” she says. “The best compromise we’ve come up with is to save the windows on the front of the house and use [replacement] vinyl ones on the sides. Now we get to test it over the next 20 years and compare the performance of historic to vinyl windows.”

Likewise, the Green Building Program of the Office of Sustainable Development in Portland, Ore., is helping local owners of historic homes renovate responsibly. Since winters are relatively mild in Portland, insulating old houses is less of an issue than in Chicago.

Many preservationists say regional initiatives like these may be the key to preserving old homes in a sustainable way. After all, climates and conservation issues differ dramatically from one region to the next.

“What’s important in New England is very different from what’s important in Tucson, where water conservation is a big issue,” says Jackson.

One point is certain: American homes are getting older and we have to find ways to make them work effectively.

“Many people are intoxicated with the new,” says Elefante. “But step outside and look around. Everything out there has already been built. We can’t just find solutions in the cool stuff built last year. We have to find solutions to the stuff that’s already there. Tearing it all down and starting over — that’s just not a good solution.”





Bungalow (Craftsman) Porch Styles

3 07 2011

Note that no matter the style of bungalow, they have one important feature in common – the bungalow porch. Because of the nature of design, the bungalow porch creates a sense of community.

You will find that most bungalows are built in specific sections of a town or city. Their owners would sit on the porch after a hard days work to rest and talk with neighbors and friends. Bungalows have great porches.

The American Craftsman bungalow typified the common styles of the American Arts and Crafts movement, with common features to include low-pitch roof lines on a gabled or hipped roof; deeply overhanging eaves; exposed rafters or decorative brackets under the eaves; and a front porch beneath an extension of the main roof.

Bungalow Porch

 

Chicago Bungalows are typically built of brick and have one and a half stories. The primary difference between a Chicago bungalow and others is that the roof gables are parallel rather than perpendicular to the street. Chicago bungalows are relatively narrow, an average of only 20 feet wide.

Chicago Bungalow Porch

 

The California Bungalow was a widely popular 1 1/2 story variation on the bungalow in America from 1910 to 1925.

California Bungalow Porch

California Bungalow

Milwaukee Bungalows: Many older houses in Milwaukee, Wisconsin, are bungalows similar to those of the Arts and Crafts style like Chicago’s, but usually with the roof gables perpendicular to the street. Milwaukee bungalows tend to have white stucco on the lower portion of the exterior.

Detroit Bungalows: Also built during the Arts and Crafts movement, Detroit bungalows were constructed using local building materials.

Types of Arts and Crafts Bungalow Designs

Bungalow Porch

 

Ranch Bungalows: Ranch bungalows are designed with bedrooms on one side and the living areas on the other. The attached garage, if present, is located on the living area side.

Raised bungalows: Raised bungalows have a basement that is partially above ground allowing for natural lighting in the lower level. Foyers are usually located at ground level half-way between the floors. Garage entrances are normally at basement level.

Airplane Bungalows: Variations of craftsman style home plans include the “Airplane” bungalow which has a much smaller area on its second floor that appears to “pop out”. Centered on the structure with windows on all sides it has a view much like that of a cockpit of an airplane. An LA company introduced a Japanese-pagoda roof-line inspired style at one time and called it an “aeroplane bungalow.”

Airplane Bungalow Porch

You might note that bungalows do not have attics. This allows for the distinctive roof line which is normally quite low. Natural materials like wooden shingles and clapboard are used for siding. Cobblestones and brick are normally used for the exterior walls, porch columns and chimneys.

 





“Green”ing up Old Homes

29 06 2011





Craftsman Green Renovation

20 06 2011

From Signonsandiego.com

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair, now in its 13th year and presented by the South Park Business Group and the Greater Golden Hill Community Development Corp.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a diaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.

When seeing the exterior of artist Doug Kipperman’s 1917 bungalow in South Park, no one would guess the eco-friendly house to be a century old.

The inviting front porch, stained-glass pieces, well-furnished gumwood paneling and beautiful country-style backyard could be deceiving. However, the importance of sustaining the environment and its people is what led Kipperman to improve the old home.

After stumbling across its sale in 2004, Kipperman and his wife immediately fell in love with the original craftsmanship and felt the need to bring the charming details of the house back to life. Patience with the long renovating process has given him and his family a beautiful space to call home sweet home.

To find inspiration for your living space, view this sustainable house along with four other homes showcased at this year’s Old House Fair.

Q: How long did it take to refurbish the house?

A: The physical building took about seven to eight months, but the property is evolving. The gardening took a little over a year, but the overall yard took about over three years. It’s been on a project-by-project basis. Our next project is a “living wall” on the backyard deck. It will be a tapestry with real plants and backlit stained glass. However, we’re calling it an “eternal wall,” because my attitude is to make sure it lasts for the rest of my life.

Q: What led you to want to renovate the house?

A: The place was a disaster. It was neglected for a lot of years, but we just fell in love with the craftsmanship. We sat for six hours talking to the owner. There was this warmth, beauty and craftsmanship about the house that we don’t see anymore. Nowadays, we are in such a hurry we forget about before. We wanted to maintain the spirit of the craftsmanship, but put in our own personality.

Q: What was the most challenging aspect when fixing the house?

A: To make it safe. To make it a healthy environment. The construction and materials that are sustainable were not readily available, so it was hard, but it was important to make it safe. And accessible.

Q: Any advice for people who are interested in repairing their old homes?

A: Be patient and have deep pockets. Make sure people you work with know what you want. We’ve been blessed with the people we’ve worked with. Know the repertoire of the contractor. I talked to customers of contractors to know how they worked.

Q: Why did you feel it is important to show your house at the Old House Fair?

A: Pride. We’re proud of our house. As an artist, I look at a lot of different things, and I like to put my own signature on it. I look at everything and inspire to create my own art. Hopefully this will inspire others.

 





San Diego’s Craftsman Home Revival

31 05 2011

A modern couple beautifully restores a historic Mission Hills home

BY JILL ESTERBROOK | PHOTOGRAPHS BY JOHN DURANT

LINDA AND PAT STOUFFER HAVE long had romantic notions about living in a grand old home in a well-established San Diego neighborhood. So it wasn’t exactly love at first sight when, in the summer of 2003, after months of searching from Kensington and North Park to the tip of Point Loma, they stumbled upon a ramshackle, two-story Craftsman-style home in Mission Hills. Overlooking the peeling gray paint, shabby wood shingles and sagging front porch, the Stouffers were attracted to the “good bones and strong character” hidden just beneath the drab surface of the century-old structure.

“We were really lucky that very little had been done by previous owners,” says Pat of the 2,300-square-foot bungalow. “It had been neglected but not butchered, and we felt confident it could be returned to its former glory.”


The pair enlisted Encinitas-based architect Samuel Chereskin, AIA, of Chereskin Architecture, to advise on the extensive restoration. They also tasked him with designing a 1,200-square-foot rear addition that would include a new kitchen and family room, expanded second-floor master-bedroom suite and a finished basement with laundry facilities and powder room. In addition, the Stouffers had applied for historic designation of their home, meaning the renovations would have to preserve the architecture of the front elevation, while the rear addition would have to reflect the home’s historic fabric.

“Linda and Pat have a large family and many friends they love to entertain,” Chereskin says. “The goal was to update the home to accommodate contemporary living, yet remain true to its historic style and classic Craftsman charm.”

The Stouffers didn’t just collaborate with Chereskin on the remodel, they took a hands-on approach. For more than two years, the couple lived in a small upstairs bedroom while methodically and meticulously reconstructing their home. Before beginning demolition and reconstruction, they toured historic homes and pored over “practically every magazine and book published on Craftsmans,” says Linda, a bank executive and watercolorist who selected the 20 different paint shades used throughout the home.

Pat took on the painstaking job of reproducing period details such as picture rails and corner guards. A former builder of new condos and apartments, he eased right into the project, yet he concedes remodeling an older home presented many modern-day challenges.

“Dealing with ancient pipes and wiring is tough,” he says, “but try matching intricate wood trim and leaded glass, replicating custom cabinetry and oversized window casements, or re-creating a boxed beamed ceiling.” The craftsmanship and carpentry skills Pat devoted to the project are testament to the couple’s passion for preservation.

“We wanted to preserve or put back what might have been in a gorgeous old home, like the built-in bookcases and inglenooks on each side of the fireplace,” Linda says.

The kitchen took top priority. Chereskin and the Stouffers shared the same goal for the dated space: Bring it into this century without losing its vintage feeling and charm. Rejecting today’s widespread affinity for granite, they opted for traditional subway tile for the backsplash and white hexagon ceramic tiles for countertops. Modern appliances and a palette of primary colors give the kitchen updated functionality and modern flavor.

Keeping in mind the Stouffers’ knack for entertaining, Chereskin didn’t enclose the kitchen. Instead, he added a raised eating bar that looks onto the family room. With Pat’s handiwork, they reproduced the boxed beam ceiling original to the front room. Elephant-leg tiered posts also help to seamlessly blend new spaces with the old.

“We showed considerable restraint by not overmodernizing with volume ceilings and other lavish appointments,” Chereskin says. The same could be said for both the first-floor expansion and the new master bedroom. In keeping with period style, the suite comprises a small sitting room, a balcony overlooking the backyard, a walk-in closet with built-ins and an old-fashioned laundry chute.

Wherever possible, the home’s original materials were rescued and reused. An oval window from the original front door now adorns the pullout door in the kitchen pantry, while an old swinging door now hangs between the dining room and new butler’s pantry.

Intent on finding just the right accents for their Craftsman home, the Stouffers spent weekends at Architectural Salvage in Little Italy. They hunted for crystal doorknobs, brushed-nickel hardware and ceiling-mounted light fixtures like the three “miraculously matching” orbs in the laundry room.

A trip to China last April brought a treasure trove of Asian furnishings and accents. The Stouffers, who designed the interiors on their own, found pieces apropos to the Arts & Crafts period—from the silkscreen above the mantel to the majestic rosewood table gracing the dining room to the cobalt-blue silk spread spilling luxuriously across the Mission-style bed in the master suite.

Four years after purchasing the home, the Stouffers are still adding final touches to their beloved Craftsman, which now proudly displays its historic-landmark designation. Pat recently installed a mail slot that had been lost from the original plan, and Linda is looking in catalogs and antique shops for that “perfect little basket” that will hang inside to catch letters and parcels.

 

Thoughts with Pat:

I have been out and about in a lot of these older neighborhoods recently. During my adventures I have noticed a lot of these renovations going on. People have started to realize that these amazing old home have great bones and they just need to be loved. Whats really nice about this movement is two fold: one, the neighborhood is benefiting as a whole not only by look but value and two, the upgraded home is providing a cleaner and more efficient environment for the owners. Im sure if we all had the means we would love to do this too but, until then we can all live vicariously through people like Linda and Pat Stouffer.





San Diego’s Craftsman Style Homes

24 05 2011

Yesterday I was part of a home tour that was showing new clients the different areas of San Diego. On the tour we visited North Park, Golden Hills, Mission Hills, Normal heights and Hillcrest. I really love these areas.  With the old architecture and great neighborhood feel, these parts of town have been have always been desirable locations for home buyers. As we were popping in and out of homes it dawned on my that I should do a little piece on San Diego’s older neighborhood home styles….

The Craftsman Style

Craftsman’s Style homes can be found all through out the older hoods of SD, for example the majority of North Park and South Park are craftsman. The big surprise from yestrdays tour was the Golden Hills area. I don’t spend a lot of time here but after yesterday my radar is definitely on for this neighborhood.

Golden Hill is one of San Diego’s most historic and architecturally eclectic zones, with many pre-1900 homes and apartments. With its once stately old mansions, quaint bungalows and apartment buildings, Golden Hill is currently enjoying a rejuvenation. On the southeast end of Balboa Park, Golden Hill (and adjacent South Park) has some fine views of downtown and pockets of really cool neighborhoods.

Some signs of Craftsman Style Homes include…….

[youtube http://www.youtube.com/watch?v=Rkg_FMNsbD4&w=480&h=390]

Signature Inviting Porch
Typically a battened door with wrought-iron strap hinges welcomes guests paired with the signature wide, inviting porch unique to Craftsman style homes. The front porch typically spans the width of the front exterior facade supported by heavy square or round columns contrasting the bold exterior stone chimneys.

Details Increase Functionality
Inside, Craftsman style homes offer airy open floor plans with few hallways but lots of windows to let in light. Stained or leaded glass windows provide a special touch while beamed ceilings, dark wood wainscoting moldings, built-in cabinets, shelves and seating create a cozy welcoming retreat for family activities and casual entertaining.

Low-Slung Roof
Related to Bungalow, Prairie, and Pueblo homes, Craftsman style house plans feature wood, stone or stucco siding, a low pitched roof, and wide eaves with exposed wood rafters. The low-slung roof; often with multiple projections gives the home a “built-in” feel.